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. 🇺🇸 DRUM TIPS 193 Fill – Part 2 Applying linear three-note groupings over a sixteenth-note pattern. Rhythmic pattern: ||: RLRK KLRL LKRK RLRL :|| Aqui está a tradução profissional e natural para o inglês, clara e técnica: NOTE: On beat 1, the 4th sixteenth note is played with the left hand on the hi-hat; On beat 3, the 3rd sixteenth note is played with the left hand on the hi-hat.
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. 🇺🇸 DRUM TIPS 181 Double Strokes Working on strength and precision for double strokes. NOTE: This exercise can be practiced on a pad with the hands, while the left foot can be played on the floor to simulate the hi-hat. Did you like it?! 🇧🇷 DICAS DE BATERIA 181 Toques Duplos Trabalhando o fortalecimento e precisão dos toques duplos. NOTA: Este exercício pode ser executado no pad com as mãos e o pé esquerdo pode ser executado no chão simulando o hi-hat. Gostou?! @drumbeat.produtora
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. 🇺🇸 DRUM TIPS 186 Double Paradiddle – Variation 1 Performing the standard double paradiddle as a backbeat groove, always playing with the right hand and right foot together. Rhythmic pattern: ||: RLRLRR LRLRLL RLRLRR LRLRLL :||  K. K. KK K K  K K KK K K NOTE: This exercise can be practiced on a pad with the hands, while the right foot can be played on the floor to simulate the bass drum. Did you like it?!
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. 🇺🇸 DRUM TIPS 135 Rhythmic Development in 5/8 – Part 4 Applying fills in 5/8 based on rhythmic phrasing with accents on the hi-hat + bass drum, and diddles on the snare. Rhythmic pattern: ||: RlRl lRlR llRl RllK :||  K K K K K K NOTE: This exercise can be practiced on a pad using your hands, and the right foot can simulate the bass drum pedal by playing on the floor. Did you like this?!
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. 🇺🇸 DRUM TIPS 108 Double Stroke Rolls Applying double strokes to strengthen the grip and wrist, distributing the taps on the snare and hi-hat. A simple exercise and very easy to do. NOTE: This exercise can be performed on the pad with your hands. Did you like this?! 🇧🇷 DICAS DE BATERIA 108 Toques Duplos. Aplicando toques duplos para fortalecimento de punho e pinça distribuindo os toques na caixa e hi-hat. Um exercício simples e muito fácil de fazer.
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. 🇺🇸 DRUM TIPS 206 Double Stroke – Part 1 Working on wrist strength and grip while distributing 16th-note groupings across each drum. Rhythmic pattern: ||: RRLL RRLL RRLL RRLL :|| NOTE: This exercise can be practiced on a pad with the hands, and the left foot can be played on the floor to simulate the hi-hat pedal. Did you like it?! 🇧🇷 DICAS DE BATERIA 206 Toque Duplo - Parte 1 Trabalhando o fortalecimento do punho + grip distribuindo grupos de semicolcheias em cada tambor. Padrão
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. 🇺🇸 DRUM TIPS 192 Fill – Part 1 Applying linear three-note groupings over a sixteenth-note pattern. Rhythmic pattern: ||: RLRK KLRL LKRK RLRL :|| NOTE: On beats 1, 2, and 3, the hi-hat is played with the left hand. NOTE: This exercise can be practiced on a pad with the hands, while the right foot can be played on the floor to simulate the bass drum. 🇧🇷 DICAS DE BATERIA 192 Fill - Part 1 Aplicando grupos lineares de 3 notas sobre um grupo de semicolcheias.
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تحميل
kwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwai