Kwai Logo
Kwai User Avatar
. 🇺🇸 DRUM TIPS 230 Foot Exercise – Part 3 Strengthening the feet by applying single strokes in sixteenth notes and thirty-second notes. Rhythmic pattern: 4/4 ||: R R R R R R R R | RLRL RLRL RLRL RLRL :|| Did you like it?! 🇧🇷 DICAS DE BATERIA 230 Exercício para os pés - Parte 3 Fortalecendo os pés aplicando toques simples em semicolcheias e fusas. .
33
Comentar
. 🇺🇸 DRUM TIPS 232 Foot Exercise – Part 5 Applying the Herta pattern using the bass drum and hi-hat , creating a sense of displacement. Rhythmic pattern: 4/4 ||: RLRlRL RlRLR lRLRl RLRlr | l - - - :|| Did you like it?! 🇧🇷 DICAS DE BATERIA 232 Exercício para os pés - Parte 5 Aplicando o Herta utilizando bumbo e hi-hat ocasionando uma sensação de deslocamento. Padrão rítmico: 4/4 ||: DEDeDE DeDED eDEDe DEDed | e - - - :|| Gostou?!
11
Comentar
. 🇺🇸 DRUM TIPS 102 Linear Fills Performing linear fill patterns in sixteenth notes. Fills: 1. ||: RLKR LKRL KRLK RKLK :|| 2. ||: RKLK RKLK RKLK RKLK :|| 3. ||: KKRL KKRL KKRL KKRL :|| 4. ||: RLKK RLKK RLKK RLKL :|| NOTE: This exercise can be performed on the pad with your hands and your right foot can be performed on the floor simulating the bass drum pedal. Did you like this?! 🇧🇷 DICAS DE BATERIA 102 Fills Lineares Executando padrões lineares de fills em semicolcheias.
38
1
. 🇺🇸 DRUM TIPS 214 Double Stroke – Part 8 Applying double strokes between the left hand and the bass drum. Rhythmic pattern: ||: LLKK LLKK LLKK LLKK :|| NOTE: This exercise can be practiced on a pad with the hands, and the right foot can be played on the floor to simulate the bass drum. Did you like it?! 🇧🇷 DICAS DE BATERIA 214 Toque Duplo - Parte 8 Aplicando toques duplos entre mão esquerda e bumbo. Padrão rítmico: ||: EEBB EEBB EEBB EEBB :||
42
3
. 🇺🇸 DRUM TIPS 185 Five-Stroke Roll Performing the five-stroke roll in a different way by replacing the last right-hand note with the bass drum, adding more creativity to this type of fill. Rhythmic pattern: ||: RLRL K RLRL K RLRL K RLRL K :|| NOTE: This exercise can be practiced on a pad with the hands, while the right foot can be played on the floor to simulate the bass drum. Did you like it?!
27
2
. 🇺🇸 DRUM TIPS 241 Motif Applying the same rhythmic phrase in different ways on drums. Patterns: 1. Snare – Alternating Hands; 2. Snare – Alternating Hands + Bass Drum; 3. Snare – Right-Hand Accents; 4. Snare – Right-Hand Accents + Bass Drum; 5. Alternating Hi-Hat + Snare + Bass Drum. Did you like it?! 🇧🇷 DICAS DE BATERIA 241 Motivo Aplicando a mesma linha rítmica de diferentes formas na bateria. Padrões: 1° - Caixa Mãos Alternadas; 2° - Caixa Mãos Alternadas + Bumbo; 3
28
Comentar
. 🇺🇸 DRUM TIPS 191 CONDITIONING Applying sixteenth-note licks using two hand strokes plus two strokes with the right foot. Rhythmic pattern: ||: RLRK RLRK RLRK RLRK :|| NOTE: This exercise can be practiced on a pad with the hands, while the right foot can be played on the floor to simulate the bass drum. Did you like it?! 🇧🇷 DICAS DE BATERIA 191 CONDICIONAMENTO Aplicando licks de semicolcheias com duas batidas de mãos + duas batidas com o pé direito.
72
2
. 🇺🇸 DRUM TIPS 183 Sextuplets – Part 2 Working on sextuplet groupings on the drum set, with a strong focus on accent precision. Control, clarity, and consistency. 🥁🔥 Rhythmic pattern: ||: RLRLRL RLRLRL RLRLRL RLRLRL :||  K    K    K   K NOTE: This exercise can be practiced on a pad with the hands, while the right foot can be played on the floor to simulate the bass drum. Did you like it?! 🇧🇷 DICAS DE BATERIA 183 Sextinas - Parte 2 Trabalhando em agrupamentos de sextinas na bateria,
33
Comentar
Carregando
kwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwai